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Interviews ray-moore
Ray Moore: Moore on Moore: Reflections on the Studio Life, Columbia Records (1957-1995)
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INTERVIEWS · ISSUE #168 ·
Apr 2026
The Ting Tings They Started Something
By Larry Crane
Jules De Martino and Katie White are The Ting Tings. Their debut record, We Started Nothing, featured the hit song, “That's Not My Name,” one you may have heard in Apple iPod ads and many films over the last several decades. Home is their fifth and newest album, produced, recorded...
INTERVIEWS · ISSUE #169 ·
Apr 2026
Stella Mozgawa As Relaxed as Possible
By John Baccigaluppi
I met Stella Mozgawa a decade or so ago at Panoramic, the studio I co-own, when she played drums on Cate Le Bon's Crab Day LP, produced by Noah Georgeson and Josiah Steinbrick and engineered by Samur Khouja. Over the years, I'd see more of this crew, especially Stella and...
INTERVIEWS · ISSUE #167 ·
Apr 2026
Bob Blank Catching the Moment
By Kellzo _
Bob Blank built his own Blank Tape Studio in downtown New York City in the mid-‘70s out of spare parts and eventually grew the operation into a multiroom facility. Blank Tape recorded everything, from gold and platinum selling disco records to the Talking Heads, Television, The B-52s...
INTERVIEWS · ISSUE #167 ·
Apr 2026
Recording Nona Invie’s Self-soothing
By John Baccigaluppi
On Friday mornings I go to the new releases page on Tidal and wade through the new music released each week. I'll check out records from artists I know, but what I really enjoy is finding new music from an artist I'm not familiar with that resonates with me. On the last day of...
INTERVIEWS · ISSUE #167 ·
Apr 2026
M. Ward Leaving the Door Open to Chaos
By Geoff Stanfield
Geoff Stanfield spoke with M. Ward for an episode of the Tape OpPodcast in August of 2023, around the time of his album supernatural thing was released. Here they dig into his love of collaborations, his analog approach to recording, and more.
INTERVIEWS · ISSUE #166 ·
Apr 2026
Daniel Tashian Having Fun
By Larry Crane
In 2017, one of my best friends, Craig Alvin [Tape Op#137], kept texting me about a record he was engineering. He was saying how amazing the process was, and how awesome the results were. The album turned out to be Kacey Musgraves' Golden Hour, which went on to be a platinum...