Interviews » daughter

Daughter: The Middle Farm Session

Daughter's Stereo Mind Game was one of my top five albums of 2023, and a record I listen to fairly often. The songwriting, interesting layered production and arrangements, along with vocalist Elena Tonra's voice keep me emotionally invested in their music after many listens. So, when they recently released the live EP Middle Farm Session, it quickly moved into my regular listening rotation. After a few listens, I was curious if there might be some video of the sessions – it turns out there is! The record is a fantastic listen, but if you can spare 30 minutes the video is well worth the time and a great introduction to the band.

I was under the impression that the band was more of a studio project, and in a sense they are, but on watching the video it's apparent that they are also a very tight live band. The EP was recorded at Middle Farm Studios, a beautiful and unique residential studio owned by producer/engineer Peter Miles in South Devon, England. Besides Daughter, Peter has worked on numerous records by artists like Architects, Orla Gartland, Dodie, Tesseract, Fizz, Nina Nesbitt, and Rachel Sermanni. The studio has a large main live room and a second smaller Studio 2, and both rooms have been a part of the Daughter recording story. The studios are built around old farm buildings that date back to the 1850's and Peter took over the farm and founded the studio in 2010. Besides a nicely-curated gear list of new and vintage equipment, the rooms and grounds are beautifully restored with vintage stone masonry and handmade custom wood work throughout.

The seeds for the session were planted when Tonra and Daughter's guitarist Igor Haefeli co-produced much of Stereo Mind Game in Middle Farms Studio 2, The Glaucus House, which is operated by their friend Patrick James Pearson who also played some piano and keyboards on Stereo Mind Game. During that time, Peter, Elena, and Igor became acquainted. Says Peter, "Whilst I didn't work on the record, we became good friends. It was interesting to me how much time they were spending on the album (four years), as I often make whole albums in two days down to our tape machine." And so, the idea of the Middle Farm Sessionwas hatched.

The band tracked live with their drummer Rémi Aguilella, and Patrick James Pearson joining in on guitar, piano, keyboards and bass, with Peter sitting in on bass on the track "Neptune." Soren Bryce and Elanor Moss, also added backing vocals and some additional instrumentation. Peter engineered the session with the band producing, and everything was recorded to Middle Farm's Studer A80 2-inch, 16-track machine through the studio's Trident Series 70 console. According to Peter, "Mixing was Igor, Elena, and myself with all hands on faders in a couple of hours, using only the console, two tape echoes, our EMT 140 plate [reverb] and Lexicon 224 reverb." The video was shot and directed by Daniel Broadly. The sessions sound amazing, and the video is a great watch, documenting both the band and the studio plus the surrounding environment. Switching up instruments and spaces within the studio keeps the video from feeling static. One track, "Isolation," was recorded and filmed outdoors with Tonra playing solo on acoustic guitar with no added reverb – the sounds of birds complement the beautiful landscape and fit the song perfectly.

The last track, "Neptune," begins with Elena again playing solo acoustic again (though this time with a longish reverb from the 224 on the vocal) in what appears to be the studio's kitchen. Then when the band joins in, she moves through the control room into the main studio to join the band and finish up the track. It's a beautiful moment and a beautiful song, one of my faves on Stereo Mind Game, and this version creates its own space that's just as special as the album version.

Everybody involved did great work, and what could have been just a promotional vehicle for the record was transformed into an EP that completely stands up on its own merits. Tape Op Reel

MORE INTERVIEWS

Kid Harpoon
INTERVIEWS · ISSUE #172 · Mar 2026

Kid Harpoon

By Larry Crane

Tom Hull, better known as Kid Harpoon,  has produced, co-produced, and co-written with an impressive list of high-profile artists over the last 15 years or so, including Harry Styles, David Byrne, Kings of Leon, Miley Cyrus, Inhaler, Florence + the Machine, Shawn Mendes, and Maggie...

Robert Lang
INTERVIEWS · ISSUE #172 · Mar 2026

Robert Lang

By Larry Crane

"They said that the little man couldn't do it. 'Oh, you can't dig 35 feet below your home.' But I did it, one step at a time, man." Thus began our conversation with Robert Lang. Outside of Seattle – in Shoreline, Washington – there's an iconic...

Dan The Automator
INTERVIEWS · ISSUE #172 · Mar 2026

Dan The Automator

By Sam Retzer

It’s Sunday night in Manhattan at Irving Plaza, and Dan “The Automator” Nakamura takes the stage behind a mouthwatering wall of synths, across from Kid Koala [Tape Op#159] and his three turntables. Deltron 3030 is back to rock the same stage where they made their New York debut 25 years...

Regina Spektor
INTERVIEWS · ISSUE #172 · Mar 2026

Regina Spektor Collaboration & Experience

By Geoff Stanfield

The story of Regina Spektor is one of a truly self-made artist. In 1989, at nine years old, Spektor and her family emigrated from Moscow to the Bronx in New York. Her love and affinity for playing the piano found her studying in high school at the Manhattan School of Music, and as she...

Jeff Rosenstock
INTERVIEWS · ISSUE #172 · Mar 2026

Jeff Rosenstock

By Larry Crane

On the suggestion of Tape Op's Sales & Operations Director, Corey Reidy, I decided to check out the career of Jeff Rosenstock. His early bands, The Arrogant Sons of Bitches and Bomb the Music Industry!, built up grassroots followings via a DIY ethic, and, as Corey told me, “He...

Clarissa Connelly
INTERVIEWS · ISSUE #172 · Mar 2026

Clarissa Connelly Creating a Spacious Depth in Sound

By Meredith Hobbs Coons

Clarissa Connelly, the Scotland-born, Copenhagen-based composer, first captured audiences’ attention with her 2018 release, Tech Duinn, and has been creating medieval-tinged multidimensional soundscapes ever since. Informed by her masters' level composition studies at the Rhythmic...