Interviews » universal-audio-2

Universal Audio

The 1176LN and the LA-2A are two examples of classic compressors which use very different techniques for gain control. The 1176LN uses a field effect transistor as its gain reduction element, while the LA-2A uses an electro-optical element (el- op) in its circuit. What follows is a basic overview of the principles behind the gain reduction circuits in each of these circuits.

In contrast to an amplifier which has a constant gain, a compressor is a device that varies its gain in response to the level of the input signal. When in compression, large input signals result in less gain, thus reducing or "compressing" the dynamic range of the signal. In order to accomplish this goal, a compressor must have the ability to both sense the level of the input signal as well as control the gain of the signal path. There are many ways to accomplish each of these tasks, with each approach exhibiting its own characteristics and sonic qualities. The 1176LN and LA-2A provide two different examples of how to accomplish these tasks. The gain reduction stage of the 1176LN uses a field effect transistor (FET) to control the gain. In this circuit, the FET acts like a variable resistor whose resistance is controlled by the voltage applied to its gate. The larger the voltage, the less its resistance will be. This gate voltage is derived from the side chain circuit and changes in response to the level of the input signal.

Hence, larger input signals will result in a higher control voltage and lower gain, thus compressing the signal. The gain reduction circuit in the LA-2A uses a 'T4' which is comprised of an electro-luminescent (EL) panel and a photo-electric cell. The EL panel is basically a night-light.

The audio signal is applied to the EL panel through a side-chain amplifier. When this is done, the brightness of the light will vary depending upon the amplitude of the signal. Larger signals will result in the light shining more brightly. The light shines upon a photo-electric cell. A photo- electric cell is a light-sensitive device whose resistance changes depending upon the intensity of light. The brighter the light, the less resistance the photo-cell will have. This will in turn reduce the gain, and hence compress the signal.⁠Tape Op Reel

MORE INTERVIEWS

Kid Harpoon
INTERVIEWS · ISSUE #172 · Mar 2026

Kid Harpoon

By Larry Crane

Tom Hull, better known as Kid Harpoon,  has produced, co-produced, and co-written with an impressive list of high-profile artists over the last 15 years or so, including Harry Styles, David Byrne, Kings of Leon, Miley Cyrus, Inhaler, Florence + the Machine, Shawn Mendes, and Maggie...

Robert Lang
INTERVIEWS · ISSUE #172 · Mar 2026

Robert Lang

By Larry Crane

"They said that the little man couldn't do it. 'Oh, you can't dig 35 feet below your home.' But I did it, one step at a time, man." Thus began our conversation with Robert Lang. Outside of Seattle – in Shoreline, Washington – there's an iconic...

Dan The Automator
INTERVIEWS · ISSUE #172 · Mar 2026

Dan The Automator

By Sam Retzer

It’s Sunday night in Manhattan at Irving Plaza, and Dan “The Automator” Nakamura takes the stage behind a mouthwatering wall of synths, across from Kid Koala [Tape Op#159] and his three turntables. Deltron 3030 is back to rock the same stage where they made their New York debut 25 years...

Regina Spektor
INTERVIEWS · ISSUE #172 · Mar 2026

Regina Spektor Collaboration & Experience

By Geoff Stanfield

The story of Regina Spektor is one of a truly self-made artist. In 1989, at nine years old, Spektor and her family emigrated from Moscow to the Bronx in New York. Her love and affinity for playing the piano found her studying in high school at the Manhattan School of Music, and as she...

Jeff Rosenstock
INTERVIEWS · ISSUE #172 · Mar 2026

Jeff Rosenstock

By Larry Crane

On the suggestion of Tape Op's Sales & Operations Director, Corey Reidy, I decided to check out the career of Jeff Rosenstock. His early bands, The Arrogant Sons of Bitches and Bomb the Music Industry!, built up grassroots followings via a DIY ethic, and, as Corey told me, “He...

Clarissa Connelly
INTERVIEWS · ISSUE #172 · Mar 2026

Clarissa Connelly Creating a Spacious Depth in Sound

By Meredith Hobbs Coons

Clarissa Connelly, the Scotland-born, Copenhagen-based composer, first captured audiences’ attention with her 2018 release, Tech Duinn, and has been creating medieval-tinged multidimensional soundscapes ever since. Informed by her masters' level composition studies at the Rhythmic...