Interviews

Joe Mardin (bonus): on his Dad, Arif Mardin

BY Larry Crane | PHOTOGRAPHS BY Julie Mardin

In 2006 the world lost Arif Mardin, a classic (and classy) record producer and arranger who'd originally worked at Atlantic Records for over 30 years, producing hits for artists like The Bee Gees, Aretha Franklin, Bette Midler, Hall & Oates, and later working with singers like Norah Jones and Jewel. Recently the Grammy nominated documentary The Greatest Ears in Town: The Arif Mardin Story was released on DVD, and it's a loving tribute to the man and the producer. While I was watching this film I began to notice the presence of Joe Mardin, Arif's son, who acted as co-director (with Doug Biro), producer, and sometimes interviewer for the film. He even co-mixed the soundtrack with Arif Mardin's longtime engineer, Michael O'Reilly. I was curious what Joe's life was like growing up in the Mardin family, and how he'd also followed a career of music production, engineering, writing, arranging, conducting, and even drumming. I visited Joe at his Manhattan-based NuNoise Studio for a journey into remembering his father's career and how it has affected his own life.

No content found for this interview.

MORE INTERVIEWS

The Ting Tings
INTERVIEWS · ISSUE #168 · Apr 2026

The Ting Tings They Started Something

By Larry Crane

Jules De Martino and Katie White are The Ting Tings. Their debut record, We Started Nothing, featured the hit song, “That's Not My Name,” one you may have heard in Apple iPod ads and many films over the last several decades. Home is their fifth and newest album, produced, recorded...

Stella Mozgawa
INTERVIEWS · ISSUE #169 · Apr 2026

Stella Mozgawa As Relaxed as Possible

By John Baccigaluppi

I met Stella Mozgawa a decade or so ago at Panoramic, the studio I co-own, when she played drums on Cate Le Bon's Crab Day LP, produced by Noah Georgeson and Josiah Steinbrick and engineered by Samur Khouja. Over the years, I'd see more of this crew, especially Stella and...

Bob Blank
INTERVIEWS · ISSUE #167 · Apr 2026

Bob Blank Catching the Moment

By Kellzo _

Bob Blank built his own Blank Tape Studio in downtown New York City in the mid-‘70s out of spare parts and eventually grew the operation into a multiroom facility. Blank Tape recorded everything, from gold and platinum selling disco records to the Talking Heads, Television, The B-52s...

Recording Nona Invie’s <i>Self-soothing</I>
INTERVIEWS · ISSUE #167 · Apr 2026

Recording Nona Invie’s Self-soothing

By John Baccigaluppi

On Friday mornings I go to the new releases page on Tidal and wade through the new music released each week. I'll check out records from artists I know, but what I really enjoy is finding new music from an artist I'm not familiar with that resonates with me. On the last day of...

M. Ward
INTERVIEWS · ISSUE #167 · Apr 2026

M. Ward Leaving the Door Open to Chaos

By Geoff Stanfield

Geoff Stanfield spoke with M. Ward for an episode of the Tape OpPodcast in August of 2023, around the time of his album supernatural thing was released. Here they dig into his love of collaborations, his analog approach to recording, and more.

Daniel Tashian
INTERVIEWS · ISSUE #166 · Apr 2026

Daniel Tashian Having Fun

By Larry Crane

In 2017, one of my best friends, Craig Alvin [Tape Op#137], kept texting me about a record he was engineering. He was saying how amazing the process was, and how awesome the results were. The album turned out to be Kacey Musgraves' Golden Hour, which went on to be a platinum...